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梅姐以为生命裡的欢愉都离她远去，直到重遇前夫志远，志远因欠债拖著一条腿，梅姐肩上则扛着整个家庭，母亲失智，儿子身心失调，深夜必须用手替他解决需要。志远巧手能玩布袋戏，帮梅姐在电视台卖药，一掌定乾坤，还能空出一手托起梅姐腰肢，爱若腾云。梅姐以为家裡多了栋樑骨，但生活仍持续在她背脊上加添重，女儿、母亲、情人，一重身分是花朵一重瓣，花开多豔，终究细枝难撑，风流终被雨打去。家是枷，还是甜蜜的负荷？梅姐一生能分给这么多人，但一颗心呢？ 女人花，花朵骨挺拔撑起残破的家枝繁叶茂，偏乡单亲家庭、长照议题、青春期身心失能者无助的性等议题都入镜，犹能含苞吐蕊，摩挲女子内心幽微光影。蝴蝶是花的魂魄，回来找自己，本片犹如台湾女子图鉴，每一幕都是自己。不能自己。。按摩师赵明辉故作盲人，专门上门做护理，与贵妇陈思颖日久生情产生了暧昧。这日再次上门为其服务，与陈思颖互相魅惑对方。赵明辉原以可以以此改变命运，告别牛马生活，没想到却掉进了陈思颖为其量身定做的致命陷阱之中。。For Brian Jones, the Rolling Stones were meant to be a blues band, or at least R&B. The band’s pivot to rock and pop soon after he had started it at the age of 19 is symbolic of his own life veering off course: the insecurity instilled by bourgeois parents who never said a kind word, the redemption he found in music and then promptly lost to his creative envy of Mick Jagger and...。