视频简介
鸿上美术馆内的石棺被意外打开，被封印了800年的“贪欲者”就此复活，贪欲者由核心硬币和细胞硬币构成，为了收集硬币，贪欲者制造出噬欲怪来吸收人类的欲望，从而转化为细胞硬币。贪欲者之一的安库因只复活了一条手臂而不得不依靠人类男子火野映司来帮助他收集硬币，映司从安库那拿到变身器和三枚核心硬币，变身为假面骑士欧兹！。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。柳志文和叶如馨结婚已有几年，一直过着羡煞旁人幸福小生活。作为律师，叶如馨在行业内做的风声水起，对离婚官司尤其得心应手，被誉为“业内离婚官司第一人”。而柳志文不输妻子，在涌州都市报也是一个小有名气的社会记者。两人都处于事业拼搏期，在结婚初期就有不成文的协议，暂时不考虑生孩子的事情。而柳志文的父母因为只有志文这么一个孩子，一直盼望着能早点抱上孙子，左等右等迟迟未能如愿。两代人因为要孩子的事有很大的观念偏差，一直以来诟病不断。 一次，志文与父亲退休局长柳洪亮又就是否要生孩子的事情发生口角。柳洪亮气极之下的突发心机梗塞入院，差点就告别人世。突来的变故让老两口意识到也许自己时日无多，迸发了必须要加快进程在有生之年报上孙子的愿望。于是婆婆张金芳与大病初愈的柳洪亮商量，在两个孩子完全没有心理准备的情况下，突然“进驻”柳志文的家里，以期用旁敲侧击、耳提命面、潜移默化的方法达到唯一的目的——尽快让如馨给柳家添一个孙子。。
